It was such an iconic image that we got in the very early stage. I think initial the pitch design for The Duel, it spoke a lot to us because it's a Ronin with a red lightsaber and droid right next to him. Kanako Shirasaki: That’s always a very difficult question to answer. Is there a particular short that you think embodies what this series is all about? These were all craft, but then seeing it come to life, they really outdid themselves. Waugh: They did… we knew we were good hands. When you finally saw the completed shorts, did they surpass expectations? It's an unfair question, but I imagine they'd had to have done so. It was, they knew, I think that they always had an open dialogue as to kind of help excavate the best storytelling they could or what deep Star Wars reference could be used here. The difference, I think really, is that we weren't there to be obtrusive or to be prescriptive in any way. Lucasfilm was in every step of the process. James Waugh: These studios each kind of crafted these stories from their own process and they really owned the vision of each short, but it was completely a collaboration from the start. Were you both seeing the scripts and artwork along the way as they were being worked on?
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